Showing posts with label power rangers. Show all posts
Showing posts with label power rangers. Show all posts

Thursday, 2 October 2014

Dinosaurs in Animation

There are many things in animation that remain popular with kids today - giant robots, super heroes or the old classic slapstick. But Dinosaurs have always been one of the tops. Whatever the age, whatever the gender, many kids will, in some point of their lives, become fascinated with these long-extinct creatures.

Some may ask; "why?" It's no mystery, really. Kids love things that are different, out of the ordinary. Vast, colossal skeletons displayed in many museums across the world. They're fantastic without being fantasy. We only know about dinosaurs from decades of research and assumptions - what they ate, where they roamed, how they died. But most of all, they're big and scary, which most kids think is "epic".

And it is from the encyclopaedic research and various discoveries that feeds the imaginations for film-makers and writers the world over. Palaeontologist Bob Bakker described dinosaurs as "nature's special effects" - which fits the theme of this blog very nicely given how many books and kid's shows all focus on the same prehistoric theme.

"Hello, Gertie!"
I feel that it all started with a true "prehistoric" piece. 100 years ago, way, way back in 1914, animator Winsor McCay changed the face of animation by bringing to life Gertie the Dinosaur.  Renowned for his "Little Nemo" comic strip, McCay also performed vaudeville acts - and this short, which he worked on in his own spare time, was not only the earliest animated feature to star a dinosaur, but also the earliest form of "interactive" animation, too. The original performance had McCay himself standing on a stage and "interacting" with Gertie as the animated feature was played out - he timed everything just about perfectly. It consists of 10,000 hand-drawn images and took 6 months. True dedication!

Since then, Dinosaurs have remained as popular as ever, especially for the animation genre. When movies like Godzilla and Land of the Lost were first released, the very earliest versions were created entirely with stop-motion animation, which - while some may think dated - was part of the spark that's helped to inspire thousands ever since. In Godzilla's case, it's finding ways of adapting the same story but with new and effective technology, as this year's theatrical release has proven.

As well as this, many animation studios never miss a chance to parody such movies, or use the prehistoric setting, for further storytelling / comedy potential. Thus, we've seen such characters as Daffy Duck, Popeye, Dexter's Laboratory, the Pink Panther, Huckleberry Hound, etc encountering dinosaurs in one shape or another.

The Flintstone's own pet Snorkasaurus, 'Dino', starred in a handful of solo shorts as part of Cartoon Network's "What a Cartoon!" series in the '90s.
Before going on to design the characters of The Flintstones for Hanna-Barbera, Ed Benedict provided uncredited layout designs for Tex Avery's 1955 short "The First Bad Man" for MGM, which saw the story of Texas set one million years ago. And like many prehistoric cartoons, it was one of many which saw cave-people and dinosaurs (or maybe the odd mammoth) living side-by-side...which many a Paleontologist will tell you that it is historically inaccurate. 

But then again, it is still a cartoon, so...back on topic.

Steven Spielberg, without any doubt, is one of the biggest dinosaur heads in Hollywood - you need only look at the number of movies he's produced and directed throughout his career. Time and again, he's become the benchmark for all things dinosaur, showcasing impressive animatronics and animation over the years.
Many fans will always remember him for his multi-million franchise Jurassic Park, which followed one of (many) themes of bringing the dinosaurs back from the dead and into the "modern" world. 

But another movie he was also involved in was We're Back! A Dinosaur's Story. Based on the children's book of the same name, this early '90's animated feature is partly told from the perspective of Rex the Tyrannosaurs (voiced by John Goodman), who tells of how he and a few other 'saurs were given super intelligence by an alien scientist - whose purpose is to show children across the world real dinosaurs. But the dinosaurs themselves have to try and avoid becoming part of the "Eccentric Circus" manned by the sinister Professor Screweyes...


That said, another animated movie that has always stood out is The Land Before Time (1988). Co-produced along with George Lucas, this is what many consider to be Don Bluth's magnum opus. It focused on the story of five young dinosaurs, separated from their families after an earthquake destroyed their home, and embarking together on a dangerous journey to the Great Valley, a land spared from devastation - along the way, they are followed by the savage Tyrannosaurus Rex while facing many perils of the evolving Earth...

As with many of his films, Bluth did not shy away from displaying death and intense scenes whilst also telling a heartfelt story - in particular, the death of Littlefoot the Apatosaurus' mother after being attacked by the Tyrannosaurus. But here, Spielberg and Lucas realised that there were scenes that were too dark for children - many of which were cut and destroyed, according to various sources.

Nevertheless, the movie was a critical and financial success. So much so that in keeping with its popularity, a sequel was developed in 1994...then 11 more followed...and then a TV Series in 2007. As with most sequels, these were created without Don Bluth's supervision and, as one might well expect, all of which were far more light-hearted and "child-friendly", with none of the dramatic storytelling that the first movie had to offer.

Mind you, it's thanks to the success of Land Before Time that several other shows were created in its wake to keep with the "fad" while it was still fresh.

One that definitely comes to mind is Dink the Little Dinosaur (1989). Produced by Ruby-Spears production (Fangface, Alvin and the Chipmunks), it almost mirrors Land Before Time in terms of its similar-looking cast - Dink being an Apatosaurus like Littlefoot, Flapper a Pteranodon like the nervous Petrie - and their home known as the 'Green Meadow' may seem a little like the 'Great Valley' to some.

However, there are still plenty of differences here that set the two apart. Apart from a choice of various dinosaur characters / species, the youngsters were guided by Crusty, an elderly turtle (or Proganochelys) as they learn the usual life-lessons about friendship, etc. In addition, they also educated viewers with "Factasaurus" segments, which often focused on a particular dinosaur per episode.

In fact, when done right, dinosaurs can offer a lot of educational factor. Denver the Last Dinosaur followed the adventures of an unusually intelligent dinosaur, hatched in "modern day" (for 1990) California and befriended by a gang of teenagers. Many remember this series for teaching viewers eye-opening lessons about conservation, ecology, and friendship - and of course, dinosaurs on the side.

Sometimes, they're also handy in the pre-school market - showing youngsters that not all dinosaurs have to be scary. Harry and his Bucket Full of Dinosaurs started out as a popular series of books, written and drawn by Ian Whybrow and Adrian Reynolds, which told the stories of 5-year-old Harry and his toy dinosaurs. In time, these paved the way for an animated series in 2006, co-produced by Collingwood & Co (formerly Collingwood O'Hare), where thanks to his imagination, Harry's dinosaurs became real as he would jump into his little bucket and visit Dino Land. And through these adventures, Harry returns to the real world a little bit wiser about a particular subject or lesson he is anxious to learn about.

Jim Henson's Dinosaur Train (2009) combines two popular interests for kids: dinosaurs and locomotives. Created by Craig Bartlett (of Hey Arnold! fame), the series followed Buddy, a young Tyrannosaurus Rex adopted by a family of Pteranodons. Whenever Buddy has a question about his prehistoric world, he and his friends travel on the Dinosaur Train to find the answer. As well as visiting volcanoes, jungles and oceans, it can also pass through the magical Time Tunnel, visiting other time periods of the Mesozoic Era - Triassic, Jurassic, and Cretaceous. It should be noted that this is one of the few shows produced by Jim Henson that has been created in CGI than with puppets.

Although it should be important to note that Jim Henson created another series about Dinosaurs earlier than that, back in the mid-90's. In a similar lifestyle echoing the Flintstones, this once-popular comedy series focused on a family of dinosaurs living in "modern day" Pangaea - set in 60,000,003 BC. A lot of new animatronic technology was developed to set the dinosaurs as far apart from their predecessors, the Muppets, as possible - which was met with very pleasing results. 

Much of the series deprived its humour from Earl Sinclair as he tries to juggle family life with work - in particular Baby Sinclair, known for such catchphrases as "Not The Momma!" However, this being a family prime-time show, it also covered various other topical matters such as civil rights, body image, drug abuse and environmentalism. In fact, the finale of the series gave an ironic if bitter-sweet twist which saw the Dinosaurs accidentally causing their own extinction by creating the Ice Age...

Moreover than not, Dinosaurs have mainly been used as a source for action and drama - and especially for the BBC, a chance to showcase their own documentary with incredible CGI animation as shown in the ever-popular Walking With Dinosaurs.

In fact, Disney's lesser-known movie Dinosaur (2000) was one of the studio's first breaks into CGI animation - in that the characters were rendered on computer whilst the locations were filmed in grassy locals such as Canaima National Park in Venezuela. Sadly, despite being a box office success, the animation couldn't make up for the storyline, which reviewers claimed was "generic and dull", and slightly hampered by the fact that the characters began talking after the stunning opening shot (a similar issue which was the major downfall to the feature-length adaptation of Walking with Dinosaurs). And as with The Black Cauldron, Disney have quietly shunted this into the background...

Another popular aspect has been combining dinosaurs with technology - in particular, robots. More often than not they're played mostly for action or drama, case in point with the Dinobots in the Transformers universe, or the Dino-Riders created by Carla and Gerry Cornway.

However, you can thank Bill Kopp for breaking the mould with his Dino/Robot series, which played more for laughs than tension. The Terrible Thunderlizards were a segment that aired as part of the Eek!Stravaganza series (season 2 of what many remember as Eek! The Cat), and which focused on a trio of dino mercenaries sent to destroy two primitive cavemen - after realising that if the human race were to populate it would spell the end of dinosaur supremacy. Thankfully, the Thunderlizards' plans of eliminating the two "mankinds" usually resulted in failure - then again, the cavemen themselves were totally unaware that they were being hunted down...

In similar vein, Steve Cole has also been doing quite nicely with his series of Astrosaurs books - which in a nutshell is about dinosaurs in space...

The Power Rangers have also used dinosaurs. Based on the popular Super Sentai series from Japan, the first series of Mighty Morphin' Power Rangers took from the series dino-based series, Zyuranger. Although only half the prehistoric spirits were based on actual dinosaurs - Tyrannosaurus, Pteradactyl and Triceratops - whilst the others were prehistoric beasts such as a Mastadon, Sabertoothed Tiger and a mythical Dragon beast! Some say that Saban struck at the right time with the release of Jurassic Park the same year, which had placed dinosaurs at an all time high in terms of popularity.

In 2004, the new owners of Power Rangers (Disney) were given the opportunity to explore the fun of dinosaurs again when they adapted Abarenger to become the 12th series, Power Rangers Dino Thunder. Abarenger was set in a world where earth had split into two universes - with our world known as Another Earth and the other inhabited by dinosaurs called Dino Earth. Whilst it had the dark undertones of an average Sentai season, the dinosaurs in the series spoke and interacted with the humans characters, which added to the comedy element.

None of this was carried over to the American adaptation, which was markedly different - focusing upon the return of Power Rangers legend, Tommy Oliver, who had become a PHD in palaeontology and taken up a position at Reefside High as a Science teacher, where he finds himself returning to his superhero roots and donning the spandex again, this time as acting as both a mentor and a team player into the bargain - instead of Rita Repulsa and her minions, who just wanted to conquer the earth, he and his young team mates were facing off against the evil Mesagog, the Mr Hyde creation of an experiment gone wrong by the scientist, Anton Mercer, Tommy's former employer when doing his PHD work.

In 2015 and 2016, Saban Brands will be returning to the Dino theme with Power Rangers Dino Charge in 2015 and Dino Super Charge in 2016, based on the 2013 Kyoruger Sentai series, which has proven to be phenomenally popular in Japan and looks set to be equally as 'powerful' when it launches as a Power Ranger series. A 'brave' move on the part of Saban Brands!

Rex's little "cameo" in Pixar's 'Monsters, Inc'...
But of course, as Gertie once proved 100 years ago, Dinosaurs can still be used for comedy value. They played a major part in the third instalment of Ice Age with the "Dawn of the Dinosaurs", the Rugrats had their own "Godzilla" in the form of Reptar, the Super Mario Bros nearly always had Yoshi along for the ride and Rex has become the most loveable tyrannosaurus in the Toy Story franchise.

I remember a good number of dinosaur-related shows from Children's BBC as a youngster, a few which included a number of imports overseas. Some shows would try to relate to their audience by showcasing the main characters as children - like Dilly the Dinosaur, who was always getting into trouble and, when frustrated, would let loose his "ultra-special, 150-mile-per-hour super-scream". Or there were the Dino Babies, who would use their imaginations to retell a particular story, from the usual Fairy Tales to literature classics like Peter Pan.

Other Dinosaur-themed shows would often focus on bizarre yet fun storytelling. Like FilmFair / Cookie Jar Group's lesser-seem Moschops, narrated by the very enthusiastic Bernard Cribbens. Or Hairy Jeremy by Pierre Scarella, which was originally a French production translated especially for the BBC among other shows during the 90's. And who could forget the ever-hungry Australian-imported Greedysaurs Gang?

Perhaps now to balance out the television shows, Dinosaurs can also be found in many a book or comic strip. A few I would recommend is Dick King-Smith's Dinosaur Trouble - a charming story about how Pterodactyls and Apatosauruses used to disdain one another until the new-borns from each family worked out a way for them all to become friends. In doing so, both families were able to protect one another from the terrible Tyrannosaurs known as "Hack the Ripper"...

Then there is the ever-popular B.C, created by the late Johnny Hart and which continues today by members of the Hart family - with its absurd look on life and current events through cave people and various prehistoric animals. 

Or if you're especially lucky, if you happen to collect Beano comics, you might just find the lesser-spotted Dean's Dino, one of John Geering's final contributions for the popular British Comic before his passing in 1999, which told of the mad adventures between a boy and his dinosaur

An even rarer find would be Saurheads - originally pitched as a newspaper comic strip, artist J. J. Barney and writer Cary Bates are hoping to develop it for animation instead. Although as this idea has been circulating the interwebs for goodness-how-long, it's anyone's guess whether it'll be picked up or not.

So as you can see, Dinosaurs are pretty versatile when handled right. They're so popular in media and in print, that trying to name every single one here would be a task in itself.

But just like Vampires or Dragons or McBusted, they won't be going away any time soon - whether they're used as a sub-plot, the main storyline or acting as supporting characters. In fact, Pixar have another original movie in the works under the title "The Good Dinosaur"...which is currently undergoing major redevelopment on last hearing.

Tina as seen in 'The Amazing World of Gumball'
So long as dinos continue to inspire and grab people's attention - and so long as there are kids who will love 'em - then so much the better!

DINOSAUR PLAYLIST!

Friday, 30 August 2013

Top 5 Seasons of Power Rangers

 Special Guest Contribution by Ryan!

Twenty years ago, five teenagers with attitude leapt on to our TV Screens and captured our imagination. Jason, Billy, Kimberly, Zack and Trini were the Mighty Morphin’ Power Rangers, chosen by the great and powerful Zordon to battle the threat of Rita Repulsa – an evil space witch who wanted to enslave or destroy earth.

The show has survived cancellation three times – once in 1998, again in 2002 and more recently in 2009 when Disney sold the series back to Haim Saban who has gone on to produce Power Rangers Samurai and Power Rangers Mega Force. Twenty years on, I’m still as passionate about the series as I was when it first began – it’s legacy is impressive, and the Rangers still hold a place in the hearts and minds of big kids everywhere.

2013 – 2014 marks the 20th Anniversary of Power Rangers, so to celebrate, here’s my Top 5 Best seasons of the show so far:
5. Mighty Morphin’ Power Rangers (1993 to 1995)

Purely from a standpoint of childhood nostalgia, I look back on Mighty Morphin’ very fondly. Having watched the series that Season 1 was adapted from, I can hardly say it did the source material justice but there were things that Mighty Morphin’ did very well – particularly in the first two seasons. The character-base was brilliant, the five teens with attitude were well defined and were interesting to watch. Each had their own unique personality and traits, brought something to the group the others didn’t or couldn’t, and made for a great viewing experience. There was comedy, drama, tension and awesome action scenes – what more could one ask for?

Despite being looked upon as being a one-dimensional series – MMPR saw the characters grow and develop over time. The character arc with Tommy was probably the thing I will remember most fondly about MMPR. The guy who started out evil, turned to the side of good, had his powers taken away, restored, drained for the last time, and then returned to lead the team as the White Ranger. Bulk and Skull went from being the token bullies who only served to annoy, to being fiercely determined to find out who the Power Rangers really were, and finally giving up on that dream to become Junior Police Officers.

For the most part, the villains weren’t dangerous – Goldar, Squat, Baboo and Rito Revolto in particular were just stupid and goofy, Finster seemed more content serving Rita than conquering the universe, and Rita Repulsa wasn’t as threatening as her Japanese counterpart. Lord Zedd kinda pushed the boundaries a little, brought that fear factor to the show and showed us what a really scary and dark villain was like – but was watered down toward the end of Season 2 due to complaints from parents that he was too scary.

A lot of fans look upon Mighty Morphin as being the definitive series of Power Rangers, but for me, it lacks the bite of the later seasons which are far better developed, structured and executed as a whole. For me, it has great nostalgia value, is a great reminder of the 1990s, and deserves it’s place as a Kid’s TV Classic, but it is far from being the best series of the show. The cast changes that took place over three years with four major characters being forced out or leaving of their own volition took its toll on the series, and by the time Zeo came around, the show was suffering for it. But the campiness, stupidity and fun was well worth the watching.

4. Power Rangers Lightspeed Rescue (2000)

Lightspeed Rescue wasn’t universally loved when it first came out. It was the first season to make a clean break from previous continuity, standing completely alone in the now-expanding Power Rangers universe. Whilst Power Rangers In Space had brought the end to six years of continuing storylines, Power Rangers Lost Galaxy was something of a hybrid – keeping a sense of continuity with Bulk, the Astro Megaship and even an Alpha Robot in the series. Lightspeed Rescue was the bold step forward with no ties to previous continuity – and had the first Power Ranger team created by human science and technology, and not magic.

For me, it’s a winner. It’s something new, different and exciting we never had before. It’s akin to movies where the Government has created Federal Agencies to tackle major threats from outer-space. In this case, it’s demons from our own planet who ruled the planet, and wish to reclaim the land their Palace was built on thousands of years previously, which is now the city of Mariner Bay.

The characters are adults – they have careers, skills, experience and attributes that they bring to the team – fire-fighting, expert-pilot, aquatic stunts, climber and a paramedic, they’re the best of the best – it’s not ‘teenagers with attitude’, it’s honouring real heroes who put their lives on the line every day of the week to keep us safe and I truly think Saban’s team did an excellent job in paying tribute to these people in choosing the characters they did. However, with the dynamics of the team and the way they have been thrown together, there’s still learning curves, obstacles to overcome and lessons to learn. The cast are well-chosen for their roles and work well together, and play off one another perfectly. There’s genuine chemistry here which reminds us of the original five Rangers from 1993.

Further to that, I believe it is the first Power Ranger season to follow the storyline of the Super Sentai original, which works perfectly here. The storyline is good enough to follow, and with some additions such as the Titanium Ranger (The first US-created Ranger), there was a depth to Lightspeed Rescue, which sets it apart from other Ranger seasons.

3. Power Rangers: Dino Thunder (2004)

Out of all the seasons that Disney produced, this one was by far my favourite. The villain, Mesagog is completely different to the villains who proceeded him, that being that he’s basically an experiment gone wrong, and became the living, breathing alter-ego of the scientist, Anton Mercer, who is at constant odds with the beast, who’s bent on bringing back the age of the Dinosaurs. He’s cold, he’s calculating, there’s nothing redeeming or humane about him – he’s just pure, unrepentant evil through and through.

In a bid to unify the universes of Disney and Saban, they brought back a fan-favourite – Tommy, to clock up his fifth incarnation as a Ranger – this time graduating to Black Ranger. Now, this as fan-service is awesome, but it also adds a new dimension to the series. Tommy acts as the team’s new mentor, passing on his years of experience as a Ranger, and being brutally honest, there’s no veteran Ranger better for a new team to learn from. Tommy was introduced to the franchise as a servant of evil, who suffered the painful loss of his powers twice – the first very quickly; the second, a more protracted affair. He then served as the team’s leader when he returned as the White Ranger, fought very different type of villain as the Red Zeo Ranger when the Machine Empire attacked earth, and sacrificed his powers mid-way through Turbo. He’s seen it, done it and printed the T-Shirt.

Dino Thunder is darker in tone than a lot of other Power Ranger seasons, with underlying storylines of resentment, rivalry and deeply hidden secrets, which rise up through the season, whilst still retaining the fun-factor with the comic-relief characters, Cassidy (Wannabe Reporter) and Devin (Hopelessly devoted sidekick, head over heels for her, locked in the ‘Friend Zone’ until the final episode).

However, it’s not without its flaws, mainly elements outwith the control of the production department – Jason David Frank, who plays Tommy had business commitments in the United States which meant he had to skip a large part of the shoot (Power Rangers has been shot in New Zealand since 2002), cue Tommy being frozen in an amber block, stuck in his Ranger suit for part of the season (even, it seems, unable to remove his helmet – as they do so frequently in the Command Chamber!) and for the latter part of his physical absence, turned invisible...! The other major flaw was the fact that despite Doug Sloan and Ann Austen’s attempt to veer away from the Sentai storyline for Abaranger (from which much of the footage is drawn) – when the White Ranger was introduced, they were forced to follow and comply. And even when they turned their White Ranger, Trent, to the side of good – the original Sentai footage saw their White Ranger continue on as a bad guy. The only way around it? Easy – clone him for American audiences...

On the whole, it’s one I’d recommend watching – characters are likeable, the episodes are well-written and the storyline is killer, right until the end.

2. Power Rangers Time Force (2001)

Time Force is an excellent season of Power Rangers. At the time, this raised the bar for the standard of a Power Ranger season. A mutant criminal, Ransik, from the Year 3000 breaks free from police custody and proceeds to take over a prison full of cryogenically frozen mutants, and is bent on taking them all back with him to the year 2001, where there is no Time Force Police to stop him. After ‘killing’ the original Time Force Red Ranger, Alex, his fiancée, Jen takes it upon herself and three of her colleagues – Trip, Lucas and Katie to chase him back in time, against the orders of her commanding officer. When they arrive in 2001, they are stranded, and try to activate the Time Force morphers – but cannot do so as the DNA code is locked and cannot be activated without a Red Ranger.

This is when Wes, Alex’s ancestor from 2001 comes to the fore. Jen tracks him down, begs him to use the morpher in order to unlock the others. He eventually does so, but quickly has it snatched back from him after Jen deems him unworthy of being part of the team. This is of course until Wes comes to realise himself that he has nothing to fight for, and never has done – having lived a life of privilege from birth. But he still has a personal struggle – his father will not allow him to carve out his own destiny, and continues to control him. Wes makes the bold step to walk away from his father and joins the Rangers in their new clocktower home.

Time Force is all about carving out your own destiny. The Rangers are fully aware that when they go back to the year 3000, a lot will have changed in terms of world history – all brought about by Ransik’s rampaging army, and their own interactions with people in this time frame. The stories and subplots are fantastic, from Katie’s (Yellow Ranger) fears about the changing of the future; Trip’s (Green Ranger) feelings about his inadequacies, and position within the group and Jen and Wes’s growing attraction to one another. It’s also the first time we see a sixth ranger who is almost completely peripheral to the team – Eric (The Quantum Ranger), who is bent on driving himself to the top of his profession and impressing his boss – Mr Collins, Wes’s dad, who has formed a group called the Silver Guardians.

Possibly for me, the best plot would have to be the changing relationship between Wes and his father. Mr Collins discovers that Wes is a Time Force Ranger, and doesn’t know how to take it, but later goes onto form his own group which charges a premium to protect the City – The Silver Guardians. Initially, he invites Wes to lead the team and bring the Rangers with him, believing they could make a fortune. Wes disagrees with this, knowing his work as a Ranger is a voluntary sense of duty. It does not stop Mr Collins making the others an offer however, which they begin to seriously consider before turning it down to stick with Wes. However, over time, Mr Collins does begin to understand Wes’s reasons for wishing to carve out his own destiny, and in a heated exchange with Ransik, who’s invaded his lab in search of a serum which he sorely needs to survive, he ends up fighting for his life after telling the mutant how proud he is of his son.

Eric himself has a lot to prove and fights alone for much of the series, reluctant to work with the Time Force Rangers. He’s struggled all his life and continues to do so, he does not want pity, he wants to be admired for what he’s going to achieve. As Quantum Ranger, he takes up the leadership of the Silver Guardians and ups Mr Collins’ ability to tackle Ransik’s threats.

Ransik replaced the Japanese leading villain, who still appears in the show, but in a reduced role. He’s a complex character, shunned by society who rejected him for being a mutant and later became responsible for a criminal empire of mutants who decided to fight back against the oppressive human race. He himself, however, has a lot to answer for – after being bitten by another mutant and almost being killed, a scientist took pity on him and gave him a serum which saved his life – in recompense, Ransik killed the scientist and burnt down his laboratory. Little does he know, that scientist would later become one of his own followers, Frax, the robot who would become so bitter toward Ransik’s cruel and bitter treatment that he would try to destroy Ransik and the Power Rangers himself.

Time Force is just an excellent adaptation of the Super Sentai series TimeRanger, which follows the same storyline, and has a very positive message accompanying the series throughout – choose your own path and know no fear!

1. Power Rangers In Space (1998)

By 1998, the show was facing cancellation – Turbo had been a flop and the series’ popularity was waning. The Producers were given one more year and season to wrap things up in a satisfactory fashion – and despite having their budget slashed, they produced one of the best Power Ranger seasons in the history of the show, and put right a lot of the problems that had plagued Turbo.

Power Rangers In Space sees the villains from the past five seasons grouped together as The United Alliance Of Evil – a group bent on conquering the Universe, led by the Dark Spectre. The season follows on from where Turbo left off – Zordon’s been captured, the Rangers have lost their powers and Dark Spectre is seeking a new commander to follow on Divatox’s success and complete the conquest of earth. Despite Rita Repulsa and Divatox battling it out for the job, he chooses the up and coming Astronema to finish the job. However, they’ve reckoned without the Red Space Ranger, Andros, who eventually lets the earth Rangers join him and provides them with new powers to take on Astronema, and track down Zordon.

In six years of Power Rangers, we had nothing like this before. Storylines would unravel over time and provide a deeper and darker series of stories, which continued throughout the course of the season. Our Red Ranger for this season is a refugee from a planet conquered by the United Alliance of Evil, and now fighting back against them in rebellion for his people.

Villains like Ecliptor, Astronema’s General, were dangerous, intelligent and deadly, not like the goofy, stupid and dimwitted characters who had been there previously. Worse still, villains like Darkonda were plain nasty, wicked and uncompromising in pursuit of their goals – even if it meant hurting or even killing those who considered him their ally. Astronema as a leading villain was an interesting concept – we would later find out that she was in fact the Red Ranger’s long lost sister, who had been kidnapped years before and brainwashed for the side of evil – abducted by Darkonda and raised by Ecliptor, who despite his harsh exterior, truly loved and cared for her as only a father-figure could.

The Rangers who took over from the previous team also came into their own at this point – you were endeared to them, they had more personality, vibrancy and character to their credit, and the new character, Andros, was a worthy Red Ranger. Even the introduction of the sixth ranger was more interesting than what we had had before – Andros had kept a secret from his team mates. His best friend Zhane, who had been his partner in crime-fighting as the Silver Ranger, had been mortally wounded in battle and frozen in ice to preserve his body until a cure could be found to help him. Even when he is revived, he finds his powers are limited and he finds he can only fight for two and a half minutes before unmorphing – and so he needs to find a solution to the problem before he falls prey to the enemy.

Probably the best part of the Power Rangers In Space saga was the Psycho Rangers. Five monsters linked to the Space Rangers who provided this team with the greatest challenge any team has had to face to date. The battle against this opposing team was prolonged, kept the Rangers on their toes and saw them faced with several moments when they would seriously have to use their intelligence and skill to defeat the enemy – including a full-team colour change to blue!

As a final series, it did have some fan-service. We saw Johnny Yong Bosch return as Adam, morphing into the Mighty Morphin’ Black Ranger again, and Justin made a return to tie-up loose-ends from Turbo. Probably my favourite team-up was the one they did with the Ninja Turtles – if you haven’t seen it, go on Netflix, buy a DVD or look it up on YouTube if it’s still there, it’s a good episode.

Countdown to Destruction was intended to be the final episode of Power Rangers, and for the first time ever, we saw what was likely to happen when earth finally did fall to its knees. The situation is hopeless, the universe is in the grip of a massive invasion of evil forces, and planets across our solar system are held by the Dark Spectre. Andros finally finds Zordon, and he urges Andros to destroy his energy tube. This pretty much marks the end of an era as Zordon’s energy wave spreads throughout the galaxy and wipes out the forces of evil we’ve known and loved to hate for six years. It’s a satisfying conclusion to the journey.

Friday, 7 June 2013

Ox Tales - Fantazoo

This animated series has gone under various names in other countries - Boes, Fantazoo, Bus Bus, Ollie Ollie Oxen, Bof! - but for the English market, it's simply known as "Ox Tales". Based on the Dutch comic strip by Wil Raymakers and Thijs Wilms, it became an animated series in the early 80's courtesy of a Japanese-Dutch animation studio - which starred Ollie the Ox and his friend Jack Turtleson as they run the Funny Farm containing every animal possible in one setting. It also featured the voice of A.J. Henderson, who also did voice-over work for Arthur, David the Gnome and Sharky and George.
As "Ox Tales" is known in Italy.
The series was in association with Saban Entertainment, whose library also includes the Super Mario Bros Show, Samurai Pizza Cats and, most famous of all, Mighty Morphin' Power Rangers. Amongst their collection of Animé shows, when translated for the English market, Ox Tales was redubbed with dreadful puns and often satiric humour (provided by the "Narrator", Towilla Toucan). Some English dubs worked, some didn't. Rather depends on the writer/s involved.

I have fond memories of this series, though, both in English as part of CITV's afternoon schedule and in Italian during the yearly family abroad. And it's very rare - from what I know anyway, having not watched much of this category myself - for an Animé series to be consistently fun, whereas most Japanese shows tend to go mad with monsters and laser guns and characters with depressing back-stories. Nope, none of that. Ox Tales just goes for laughs, thick and fast, just as Tex Avery would have done so way back in the Golden age.

It's another little winner that, with so many shows as such, deserves a proper DVD release at some point - even then, the animated series had scenes that didn't quite make the transfer when aired for the American market.

But for those who may not have seen the original Dutch comic strip, from which the humour was based heavily from, the gags there are more daring compared to what was made in the animated series...clearly, the Dutch don't have obligations to what was printed in their newspapers!


Even if the original comic's humour sometimes came too close to the bone, it still boasts of beautiful artwork and terrific visual gags from the artists involved, which have made it a success, a "cult" even, in the European market.

All in all, whether you've read the comic or seen the Animé, both are nevertheless tremendously funny, from the silly to the cringe-worthy to the truly weird =P