Bump in the Night (1992)

I have very fond memories of this crazy little show during my younger years, at a time when stop-motion animation became as popular then as CGI animation has now. While Bump in the Night was currently airing on the CBBC programme block (before there was even a CBBC Digital Channel to speak of), it was also doing pretty hot over on ABC (American Broadcasting Company).

Before Pixar even dreamt up Monsters, Inc, it was Mr. Bumpy, the monster under the bed, who gave us the frights and laughs in the mid 90's, with his best friends Squishington, the bathroom monster, and Molly Coddle the comfort doll. It was also my first experience of the amazing vocal talents of Jim Cummings and Rob Paulsen, who would soon become two of the most widely-used and adored voice-actors in the business - in particular for the Disney Afternoon animation block, where both helped bring to life a variety of characters each as memorable as the next. For Jim especially, his resume would be ridiculously long to post here, but it was this show that earned him a nomination for an Emmy for Voice Acting in the Field of Animation in 1994. And with good reason!

It wasn't just the stop-motion animation that really "wowed" me at the time, but the wild storylines that creators Ken Pontac and David Bleiman could only cook up. In similar vein to Johnson and Friends, in a way, they thought up a wide variety of episodes that took place in a limited number of locations, most of which occured within the boy's untidy bedroom. Sure, there may have been some "gross" humour involved, so far as belches and sock-eating are concerned, but it wasn't as overexposed or...detailed...as certain cartoons that followed I could well mention.

Then of course there was the Karaoke Cafe musical numbers, which exercised Jim and Rob's singing performances in regards to certain subjects or topics of their characters' choices. I daresay, anyone who remembers this segment of the show would have the old familiar tunes forever embedded in their minds. Whether it's "Picking Up The Pieces" or Mr. Bumpy's take on "School's Out".

Bump in the Night was the work of Danger Productions - their only major hit so far as I can dig up. For reasons of production / financial matters, once the House of Mouse took over ABC, it only lasted for two seasons. And yet, not just the fans but the folks behind the show - the writers, the animators, the voice cast - still remember it with great fondness and happy memories. In fact, for a while, the complete series was released to DVD in 2010 by Shout Factory - sadly now out of stock.
Oh well, there's always YouTube...!

LINKS OF INTEREST:

Jim Cummings guest stars on Rob Paulsen's Talkin' Toons podcast!

DVD Talk's Bump In The Night DVD review

October Works 2013

Halloween is a-coming once more...

Funnybones

Janet and Allan Ahlberg wrote many grand children's books together. British readers would remember the likes of The Jolly Postman, Bill Burglar, It was a Dark and Stormy Night and the Happy Families series in their local schools or libraries once upon a time.

Funnybones was another series of books they wrote that I took to most. Maybe it was because the premise of a skeleton "family" was so creative and fun. Or maybe it was the illustrations by Andre Amstutz, where the skeletons, set against the "Dark, Dark Town", truly stood out. Whatever it was, I never got tired pouring through the books I had of youth and admiring each page from cover to cover.

I especially adored the animated series that followed, which saw the adventures of Big, Little and Dog adapted by Jocelyn Stevenson, who was also responsible for the terrific Charlie Chalk as well as a host of Muppets / Sesame Street children's books. Next to a very catchy soundtrack plus theme tune, the animation was expertly crafted, with a jolly Griff Rhys Jones handling the position of Storyteller and voices.

So huge credit to Cartwn Cymru for giving us a faultless little series. Only 12 episodes in all, but this one series alone makes it all the more special. And Cartwn Cymru would continue to entertain and impress with their follow-up show, the Toucan 'Tecs - proving as with Mike Young had with SuperTed, the Welsh can produce more than just beautiful singing voices!

As this series was aimed for the pre-school market, it's more comical than scary - however, if you want "creepy", then check out this strange adaptation of one of the Funnybones books from a Hong Kong production...!

LINKS OF INTEREST:

Funnybones on Toonhound

The Griff Rhys Jones Fansite

Janet and Allan Ahlberg's Wiki Page

A little about Jocelyn Stevenson from the Children's Media Foundation

Buy "Funnybones" books from Amazon!

Don't You Open That Trap Door...!

My first exposure of this wonderfully creepy series was through a little-known Saturday Morning show known as "Ghost Train" - which broadcast other spooky-related cartoons such as The Real Ghostbusters and Scooby-Doo. Little did I know how much I would come to love and appreciate The Trap Door as I grew up...

The series was typically 80's, where being weird and insane was (and still is) in. Created by Terry Brain and Charlie Mills (known in the credits as "Brainbox Mills"), it centred on Berk, the "overworked servant of The Thing upstairs", his annoying pet spider Drutt and the brilliant skulhead known as "Moany Boni". Together, all three wind up pitted against a host of strange, gross and downright odd monsters that emerged out of the titular Trap Door.

There are so many reasons why I adore this show, but I'll name two of them;

Firstly, it's stop-motion. This is proof of why the likes of Aardman are still around today - because they show time and again just what can be accomplished without the need of CGI; popular and far-advanced it has become now, there's still a great charm of seeing something hand-made brought to life before our eyes with time, care and patience. And the animation quality for The Trap Door especially is outstanding. No surprise that Terry Brian would later go to work for Aardman as an animator for Wallace and Gromit, Chicken Run and Creature Comforts.

Second: Willie Rushton. The man was a legend at so many things - cartoonist, satirist, comedian, actor, co-founder of Private Eye magazine, favoured panellist of I'm Sorry I Haven't A Clue, and much-adored voice actor of both animation and audiobooks. All voices (including monster-related) were performed by Rushton himself, and how wonderfully he brought each character to life. Even as far as providing "additional material" for every episode from start to finish. I wouldn't be surprised if a good amount of ad-libbing was involved here...!

In truth, it defiantly nails the "horror" theme, yet the surreal humour balances it out as only we British know how. Terry and Charlie would continue their mad streak with the equally bizarre "Stoppit and Tidyup".

The Trap Door only lasted for two seasons - but as the old saying goes, it was "Short but Sweet". And many still remember it fondly with good reasons =)

LINKS OF INTEREST:

Buy The Complete Trap Door on DVD

Listen to an extended version of Trap Door theme tune, performed by Zygott!

See "Brainbox Mills" talk about how they created their animations

Hear Willie Rushton sing a familiar song to the tune of another - with appropriate visuals!

She's a Little Princess!

As mentioned in a previous blog post, next to David McKee, Tony Ross is one of Britain's top children's authors and illustrators. Tony's art style is easily recognisable as he's most famous (in this generation at least) for illustrating Francesca Simon's Horrid Henry series, as Quentin Blake has been for Roald Dahl and Nick Sharatt for Jacqueline Wilson. In fact, Tony has illustrated literally thousands of children's stories - even the semi-forgotten Story Teller series back in the 80's.

As for his writing, his own stories are just as colourful and whimsical, full of witty characters and mad (but clever) storylines. The maddest and funniest of all has to be Towser, but that's another story...

Some of his books were adapted, along with a few of David McKee's, for the wonderfully underrated Anytime Tales - which saw the animated debut of one of his best-loved characters, the Little Princess.

As with a great number of children's characters, the Little Princess started out as a series of books, which saw the Royal Miss eager to explore everything...and often than not, having to learn things as well. It came as no surprise that the character was brought to animation again in 2006 as an animated series, courtesy of Illuminated Films (who also brought to life The Very Hungry Caterpillar and the brilliant Prince Cinders). And thanks to script editor Rachel Murrell, she more or less ensured that the animation style was as faithful to Tony Ross's illustrations as possible when pitching the character for television.

Featuring the voices of squeaky Jane Horricks and Julian Clary as the Narrator, the series has been a rousing success for both Channel 5 and Tony Ross - and with the birth of the Royal Baby, there'll be no fear of this Little Princess being forgotten yet!

LINKS OF INTEREST:

Visit the Little Princess's Kingdom Website!

View episodes of Little Princess on Demand 5!

Toonhound reviews Little Princess!

Buy Little Princess books from Anderson Press!

Blazing Dragons! (1996)

It is no surprise at all how much the team behind Monty Python's Flying Circus have influenced both the comedy and animation world with their surreal, off-the-wall, totally-and-utterly bonkers sketches and characters. In particular, their ventures on the big screen with Life Of Brian or - most famous of all - the Holy Grail.

In fact, one of the Python players, Terry Jones, seemed to have had an affection with the Holy Grail ever since it hit cinemas in 1975. So much so that, in way or another, he tried to keep the spirit of that movie alive through other projects of his own - which included an award-winning musical on stage.

But back in 1996, he developed a lesser-known animated series known as Blazing Dragons, and shortly after a Playstation Game as a supposed "tie-in". The game - even rarer than the series - was as close to the Python insanity as possible with a number of sexual innuendoes and eccentric characters. It also boasted of an impressive voice cast (including Terry himself).

Another famous parody of King Arthur, the game focused on the Dragon Knights of Castle Camelhot - in particular young Flicker, where the player has to solve puzzles and collect objects in order for him to become a knight, compete in the grand tournament and win the heart of Princess Flame. The game becomes more interesting when a plot to kidnap the princess is uncovered...

The cartoon of the same name was a little different. Unlike the game, much of the humour in the series wasn't as "risque". However, the air of Python was still there as evident in the theme tune - likely inspired by the Holy Grail's "Camelot" number - and the variety of characters involved. From the two-headed Jester, Cinder and Clinker, to the effeminate Sir Blaze (whose behaviour got the series into a spot of bother when it aired in the US...ahem!).

All the same, what the series offered was still jolly good fun - turning the tables (round or otherwise) of the Dragon vs. Knight scenario, which saw Camelhot under constant attack of the Evil Count Geoffrey, forcing Flicker and Princess Flame to save the day.

The show ran for two seasons on CITV in the UK and Toon Disney in the US, during which time Blazing Dragons underwent a complete makeover for the second season. Half-hour episodes were split into two 15-minute segments while characters were redesigned, downsized or removed altogether. The amount of changes made for Season 2 have either improved certain areas or just left viewers scratching their heads - fans especially bring up the dip of quality in the animation.

Otherwise, it's another wee gem that's worth relighting the fire, so far as DVD or TV repeats are concerned ;-)

SERIES 1 PLAYLIST

SERIES 2 PLAYLIST

Bugs Bunny in King Arthur's Court (1978)

Not long ago in August, writer / film curator Thad Komorowski reviewed an interesting book, Arthurian Animation, which oversaw how Camelot was "represented" and adapted for animation, from the Golden Age right through to the present day. You can read his review here.

And just for kicks, here's one such take on the King Arthur legend - Chuck Jones' "plagiarisation" of Mark Twain's 'A Connecticut Yankee in King Arthur's Court'. 

At the time it was made, Chuck Jones was doing fine running his own animation studio, with a number of TV Specials under his belt that long-time fans are often divided over. If not about story adaptation or animation timing then that "it wasn't as good as when Chuck directed cartoons in the theatres!"

In case of this particular half-hour, it may not have as much belly-laughs as 'Knight-Mare Hare' or as award-winning as Friz Freleng's 'Knighty-Knight Bugs'...but in Chuck's defence he was, in his own way, helping to keep the Looney Tunes in the public eye, as well as teaching up-and-coming animators all the knowledge and skills learnt from the former Termite Terrace.

And besides, at least he was producing some of the better efforts in animation around the time of the 70's, just before the Silver Age helped to pick things up again...

Personally, I've always preferred Disney's Sword in the Stone...!

Bugs Bunny In King Arthur's Court by looneytunes13