Showing posts with label fireman sam. Show all posts
Showing posts with label fireman sam. Show all posts

Tuesday, 5 November 2013

Fire Safety Shorts

Many historians will know well enough that Animation was created first and foremost to entertain - but there are times when animation can also educate when used correctly. During dire straits, cartoons played their part in keeping spirits up "During the War", encouraging the public to fight back against the enemy and donate war efforts. Warner Bros gave American that old classic 'Any Bonds Today?' and their series of Private Snafu shorts taught soldiers what not to do out in the line of fire.

Today, the United Kingdom has become one of the largest areas for pre-school animation, which continues to entertain today's youth while including vital facts and figures relation to each show's concept. Such examples are The Lingo Show, which teaches children different languages around the world.
But as with America, British Animation educated adults as well as children. Back in the 70's, the British Government's Central Office of Information released a vast number of Public Information Films which covered a variety of subjects - safety in the home, on the street, in the country, at sea, during work. These have since become part of the "Charley Says..." collection, after the cut-out cat that featured in several of these shorts.

One of the main topics covered in such P.I Films has been the vital issue of fire. As Smokey the Bear taught American children how to prevent forest fires, Britain's Fire Safety shorts taught the dangers of fire in the home or school or workplace, how to prevent them, how to raise the alarm and how to escape them quickly and carefully. These were often played in schools whenever Firemen would visit and give demonstrations on how to make sensible use of the fire alarms and exits provided.

Rarely have the following seen repeated airings on British television, except perhaps during Bonfire Night. And even then it's rarer to see them in their original uncut versions - 'till now.

Frances the Firefly is one I remember with great fondness. The original paperback book I once owned may have had the original artwork redrawn and redesigned many times over, but the following animation (narrated by the late, great Richard Briers) shall remain timeless.
When televised in later years, this short was condensed greatly to a single measly minute - not only glossing over the seriousness of Frances' folly, its build-up and the aftermath, but also ignoring a lot of talent and skill that was put into the making of this piece. From background artists to animators, they all played their part however brief;



The second Fire Safety video, Moonlighters, is a little odd given its setting - since there is no atmosphere in space, the fire would be entirely impossible. But then it is a cartoon, so I suppose some bending of reality is required so long as the message is clearly understood...!



But if anyone deserves the honour of teaching children about Fire Safety, then Fireman Sam is your man. Amongst all the episodes made, this particular entry from the classic series was more of a "special", a useful educational episode that isn't painfully moralistic;



It's rather a shame that little appears to be known on who helped create the Frances and Moonlighters videos since the various companies / actors involved have likely been shut down or are long since deceased. But it's gratifying to know that what they've left behind would, with luck, never be forgotten.

Short but sweet films are one thing - but if you want a little action whilst teaching Fire Safety, you can't say more than this familiar TUGS episode, featuring the voice of "Protect and Survive" himself, Patrick Allen...

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Friday, 28 June 2013

Joshua Jones

When it came to keeping up with the times, the BBC weren't shy of doing so with their Children's Programmes either - shows like 'Mary, Mungo and Midge' (1969) 'Pigeon Street' (1981) and 'Bertha' (1986) truly stood out by slowly introducing its young audience to the likes of urban living, industry and characters of "mixed ethic groups", which are more apparent than ever these days.


So by the time 'Joshua Jones' came along in 1991, it gave us plenty of looks on life - the calm canals, the open countryside and the busy factories of Biggot Wharf downriver, all featuring different and memorable characters. Such as the retired Indian Admirable Baboo Karia, Joe Laski the Hungarian farmer and even the "Liverpudlian Lovers", Sharon and Spanner!

Joshua Jones was created by Bumper Films for SC4 Wales, the same folks who gave us Fireman Sam back in 1987, so it's no surprise why this has become another favourite of mine. With a mixture of characters, settings and dialects to choose from, every episode is a surprise with sub-plots used to splendid effect. It's also helped by the vocal talents provided by George Layton and Barbara Flynn.

In all, it's a great little series that introduces children to various cultures and lifestyles, blended with captivating storytelling. In case of Mr. Cashmore, some "grown up" stuff reg; business and office-work, from Daphne Peacock the Vet the importance of looking after animals and the wildlife, and even some river-knowledge from Joshua himself. So there's a little for everyone without being too direct.

All the same, given that the United Kingdom today has just about every person from across the globe within our British Waters, the Beeb are always, always careful when handling "foreign" characters in children's television. The days when overly-stereotypic imitations of the 1950's are considered a no-no by today's standards - which I agree, but to a point. Personally, I wouldn't mind as much so long as "foreign" characters are written as interesting ones, not just for Worldwide Marketing or thrown in for contemporary reasons...



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Friday, 14 June 2013

The Little Engine That Could (1991)

Long, long before the Rev. W. Awdry first came up with The Three Railway Engines and Casey Junior rolled in with Disney's Dumbo, this age-old story about self-confidence and optimism has been trundling along for decades. Various versions of "The Little Engine That Could" have been published and adapted many times in different forms of media - the strongest version written by one Watty Piper in 1930 - but the one adaptation that many folks remember came in the form of a 1991 animated film.
This version, believe or not, came from a Welsh Animation Co, Kalato Animation, co-financed by Universal Studios and SC4. Directed and produced by Dave Edwards and Mike Young, it is what I consider to be a firm example of what Traditional Animation can still accomplish despite exaggerated rumours that this art form has been "scrapped" following Disney's release of "Paperman". To add, this was also the same animation company that blessed us British with Superted and Hilltop Hospital.

I used to watch this over and over on my little VHS, and it still holds up today in terms of a good story (which, while faithful to the original text, expands nicely on the supporting characters), beautifully-crafted animation and a strong voice cast - all American, of course, which features Kath Soucie, Frank Welker, B.J Ward and Neil Ross among others.

While The Powers That Be may still see the future of CGI animation, there's no denying that even Pixar and Dreamworks had to begin with pencil and paper. In fact, in recent years, Traditional Animation is still being observed and respected as "smear / multiple effects" are applied to Computer Animation today. 

Even so, not even this 2011 CGI adaptation could compare with Dave and Mike's own Little Engine...that could and did!

Tuesday, 28 June 2011

Everybody Say Humf...

Andrew Brenner is one of those remarkable folks who has been part of the animation circle for quite a long time, with a portfolio longer than the Trans-Siberian Railway. Since early 1990, he has succeeded and expanded himself as script writer / editor for the following titles (among many others besides);
Now that I'm old enough to to fully appreciate and learn more of the mentioned shows, I was astounded of Andrew's "legacy" that could easily match those left by Brian Trueman and Jimmy Hibbert. Thankfully, though children's television has changed since the Silver Age of the 90s, that hasn't stopped Andrew from delivering more wonders!
His latest work has been a big hit - Humf tells of a "small furry thing" who explores the world around him with friends and family to help him along. After watching several episodes online, I can see why this has received such lovely acclimation. The animation - produced by King Rollo Films and Rubber Duck Entertainment - is the smoothest, beautifully crafted I've ever seen in the preschool market....and the fact that this is digital 2D animation makes it even better!

The writing, too, differs from the normal "cut-and-paste" storytelling in modern-day children's animation. Andrew clearly knows how to write for children and their parents in mind, having written just about every episode of Humf single-handed. The characters are cute yet relateable, the storylines simple but not obvious. According to this interview back in 2009, Andrew is very passionate about intelligent storytelling and getting the message across clearly to both children and parents.

"...Television is now one of the most influential sources of stories for most children and it is very important not to waste the chance to offer them something that has some kind of value...I am not at all convinced that television is ultimately a good thing...But the reality is that it has an influence and so I would like to think that it makes a difference what we do with it. And that it is worth trying to use it to tell better stories..."

So here are a couple of Humf episodes for you to watch and draw your own thoughts:


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