Showing posts with label count duckula. Show all posts
Showing posts with label count duckula. Show all posts

Saturday, 31 May 2014

Creepy Crawlies (1987)

Throughout its legacy, Cosgrove Hall Films have brought to the world a great many shows, feature-lengths and TV Specials for audiences of all ages to adore. But with such hits like Danger Mouse, Count Duckula and the Wind in the Willows, it is rather a shame that Brian Cosgrove and Mark Hall's other lesser-known pieces are left behind and forgotten about - that is until a DVD release graces them for a second wind.

Take the case of this show then...

Created by Bridget Appleby, Creepy Crawlies told the stories of a band of insects who all lived near "an old broken sundial that nobody wanted". It starred Lambeth the strong-but-dim beetle, Suppose the mopy red-nosed worm, the snooty snail Mr. Harrison, Ariadne the friendly spider, Anorak the woodlouse (who insisted that he was a Pillbug), the gentle Ladybird who has trouble with her R's and the very old caterpillar known as The Ancient.

Yes, long before Anthony Ant, long before A Bug's Life, even longer then before Insektors, these little insects gave us a look in to the everyday lives of an Invertebrate...which, for this series, may not seem much to some. Compared to Cosgrove Hall's other shows like the Avenger Penguins or Victor and Hugo, there's not a lot that actually happens here that one may call exciting.

However, after finally getting the chance to watch this series for the first time, I am actually quite taken with the writing here. All 52 episodes were written by Peter Richard Reeves - who contributed a sizeable number of scripts for Count Duckula - and in my personal opinion, it feels as though he might have been inspired by the lines of A. A. Milne and Kenneth Grahames in terms of the writing style for Creepy Crawlies. In that there is a lot of verbal humour and vast amount of character interactions that glitters with intellectual dialogue...even Lambeth's muddled way of speaking feels very BFG-ish.

Mr. Harrison, Lambeth and Suppose
Then of course, equal amount of phrase goes to the modelling dept of Cosgrove Hall. The characters all look the part in their scaled up garden settings, which makes it all the more beautiful with every episode ending with the lead characters watching the sunset after every "adventure".

The character voices were provided by Paul Nicholas - who has done a lot of work on stage and in the charts over the years, but is probably remembered more for starring in the BBC sitcom "Just Good Friends". And the perfect package to this series is Keith Hopwood and Malcolm Rowe, who contributed the catchy theme tune and credit song.

With many modern-day animated shows becoming more colourful and wackier nowadays, it's no wonder why Creepy Crawlies has been left behind. Yet those that know me would know that I embrace the obscure, the diamonds in the rough - and I find that this show's slow yet timeless style of entertainment that has made it different amongst Cosgrove Hall's vast library. It's really a shame therefore that there have only been a handful of VHS cassettes and hardly anything else since.

But then we've seen several of Cosgrove Hall's other lesser-known productions make the jump to DVD, like their adaptations of Truckers and The Fool Of The World And The Flying Ship. So one can only keep one's eyes open for that old broken sundial and its residents to be given the same chance one day...

In keeping with the theme of gardens, Bridget Appleby went on to redesign Bill and Ben for a brief comeback return in 2001 as well as create the look for Fifi and the Flowertots in 2005 - all part of her 30 year career in animation!



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Friday, 19 July 2013

Muddled Up Muddle Earth

A long while ago, I brought up the subject of adapting books / comic book characters to media - whether for the small screen or the big screen, almost always the Producers in charge will decide, for reasons many of us will never know, to take the original content in a completely different direction resulting in varied reviews.

This is one of them.
The original 'Muddle Earth' book cover
Paul Stewart and Chris Riddell are a fantastic writing / drawing duo, who have brought to our bookshelves a great collection of children's books - these include The Edge Chronicles, The Blobheads, Far Flung Adventures and Barnaby Grimes. Another popular title of theirs is Muddle Earth; first published in 2003, it is an unabashed parody of the famous Lord Of The Rings series and, like so, is split into three sections to read.

For anyone who has read Paul and Chris's books, you can be guaranteed of sparkling imagination, humour and adventure each and every time. Chris Riddell's illustrations add more to the fantastical creatures they manage to conjure up. So popular was their novel that it soon earned itself a sequel - Muddle Earth Too! - published in 2011.

So when news came that the BBC were to produce an animated series of the book in 2010, I was readily excited for a number of reasons;

  • This would have been the BBC's first in-house production during the Credit Crunch, with music performed by the BBC Philharmonic Orchestra.
  • David Jason (Count Duckula, Toad of Toad Hall, one half of 'Victor and Hugo') would be part of the voice cast, playing the bumbling wizard Randalf.

With all of this in mind, you'd think it would have been a success, wouldn't you?

...dream on.
When the series did premier - I was furious, absolutely beside myself. The entire Tolkeinesque story of Joe, a boy summoned to Muddle Earth by Randalf the Wizard to become a "warrior hero", was dashed completely for an episodic adventure-of-the-week format - which saw instead Randalf, his assistant Newt and the ogre Norbert the Not-Very-Big trying to protect Muddle Earth against the Evil Dr. Cuddles.

I just didn't see why the original Muddle Earth, which was so carefully planned, laid out and developed throughout, was thrown out of the window completely. Besides the fact that Chris and Paul put a lot of effort into their works, it's been too, too long since we've seen an animated series with an on-going storyline that would have made excellent viewing compared to what CBBC were airing at the time. Heck, it would have happily made up three seasons worth of episodes per section.

But what was worse was the animation. Co-produced by Manchester-based Hullabaloo Studios, the quality of the final output was what one would have expected from a low-budget computer game.
To add insult to injury, London-based studio Freakish Kid produced a Muddle Earth sample reel when going after the animation contract...and comparing their work to what was made for the series, I kept thinking; "The BBC rejected these guys for this!!?"


The additional CGI made no difference either; the 2D animation was as plain as a pikestaff, and did no justice to Chris Riddell's superb character designs whatsoever. In fact, their attempts to to cover up the lacklustre quality with "epic zoom-ins" almost gave me seizure.

I'm aware, of course, that the writers and voice cast did their best in spite of the decisions made, but I just couldn't stomach the visuals beyond the first season. The BBC's one chance to revive interest in home-grown animation, and look what happens...

Still, what comes around goes around, I suppose. BBC's Muddle Earth only lasted two seasons - with, excluding their "official" website, little to show for it, not even a DVD release - and Hullaballo Studios unfortunately closed down soon after, which saw Factory TransMedia take up residence in their place.
Muddle Earth - 2006 version
It's still a great shame because I would have happily had Jackanory 2006 pick up where they left off - the CGI animation might not be of Dreamworks quality, but at least the rest of the story would have been told more faithfully. AND...it's on DVD, along with The Magician Of Samarkand. That shows you, doesn't it?

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Saturday, 2 February 2013

The Foxbusters (1999)

The subject for this blog post has a first-and-last theme to it. It was one of the first books written by the famous Dick King-Smith (Babe, the Water Horse) which set the bar for a lifetime career as a children's writer, and one of Cosgrove Hall's last "great" shows before turning their focus to the pre-school market for the remainder of its lifespan.

The original book, first published in 1978, tells the story of the chickens of Foxearth Farm, a special breed by the fact that they could fly - in particular, three of the more gifted hens (Ransom, Sims and Jeffries) help rage war against their age-old enemy the foxes, in what has been described as "Dambusters for kids"!

Many of Dick's stories were based on his years as a farmer himself, which comes as no surprise here. This particular book has a slightly dark but comedic tone, in which blood is spilt, feathers ruffled and containing "fowl language" throughout (all hen-related puns, of course!). And where the balance between predator and prey is thrown off completely with logical, clever storytelling.
 
How this came to animation was an interesting one. Before the turn of the millennium, David Freedman and Alan Gilbey (The Mr Hell Show) developed the book for Cosgrove Hall Films. A "pilot" had been made in 1997 to promote the series, which was intended to be based during WW2 (in fact, some of the original animation from there was reused in the final title sequence). However, such is the way, further changes were made until few elements of the book remained saved for character and location names, although by then only the titular characters themselves could fly.


Still, it seemed to have been worth it. Along with co-writer Joel Jessup, the show ran for two seasons and picked up several BAFTA awards along the way. Thanks to its sparkling comedy, perfectly British through 'n' through, it sits very nicely alongside Danger Mouse, Count Duckula and Victor and Hugo for insane plots and even madder characters.

Credit also due to the voice actors involved, with old favourites Jimmy Hibbert and Rob Rackstraw supporting the leading ladies - Jane Horricks as "Jolly Jeffries", Joanne Lumley as "Serious Sims" but most surprising of all, Whoopi Goldberg as "Ransome the Ringleader". How I'd love to hear the story behind that casting...!!

Sadly, only the first season has been made available to DVD in the UK. And as always it's a shame on account that the episodes become madder and funnier in the season that followed. Still, perhaps there's hope yet if only the rights to the series weren't quite so "scrambled"...!


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Saturday, 15 December 2012

CITV - No School like the Old Skool

This year has seen a number of anniversaries, achievements and landmarks celebrated - but for us British, this is one celebration to round off 2012!
Children's ITV - once an after-school programme block and now it's own dedicated Digital Channel - is to celebrate its 30th anniversary with a special documentary in January and an entire weekend of classic shows to air. Featuring old friends like Danger Mouse, Count Duckula, The Raggy Dolls, Children's Ward, Fun House, Huxley Pig and plenty more.


TBH, I'd love to see an Old Skool block become a permanent staple in CITV's schedule. As a child of the late 80's myself, so many of its programmes still hold up against all the merchandise-driven, celebrity-hyped madness of today - which while rakes in the quantity are fleeting in quality. Nostalgia is wonderful stuff that should be cherished than cashed-in or thrown out as this intriguing little article might explain.

And earlier this month, we have seen an example of history being remembered when animation veteran Brian Cosgrove was (finally!) awarded his BAFTA Special at the British Academy Children's Awards - which you can view in full coverage here:



So until January rolls in, relive further memories by viewing a wide selection of UK shows from this special - if lengthy! - little playlist =)




LINKS OF INTEREST:

Sunday, 11 March 2012

Vampires Suck...


...literally in both senses if you're fed up of 'em already. What with "Twilight", "Vampire Diaries" and "Abraham Lincoln: Vampire Slayer" dominating the mainstream media these days.

But let's face it: however much we'll complain or argue, Vampires are timeless - like Frankenstein and Werewolves and Frank Nelson. They won't go away immediately. What's really made me tire of them is how certain franchises try to "re-invent" them as something they're not - making them the ultimate "shiny-shiny" to fan girls too naive to know better.

Depending how they're handled, though, Vampires can still be cool - like "Young Dracula", f'r instance. But speaking as a cartoon nut, they're especially more fun when put to animation. So enjoy the lil' playlist below of a few personal choices - old, new, British and American =)



LINKS OF INTEREST:
The Ugly Vampire - a DeviantART group dedicated to Nerk Nosserfartu, created by Kat Nicholson - soon to be developed as an animated series, touch wood!

Memoires of a Vampire Duck - a Blog by StaceyW dedicated to all things Count Duckula

Mona the Vampire - Official Site and Wiki entry.

Monday, 13 February 2012

We are the Treacle People...

# ...we seek Treacle high and low! #

Amidst his renowned career penning most of Cosgrove Hall's top shows, Brian Trueman teamed up with son Jonathan to co-write another series that deserves more attention prior its first airing - The Treacle People!


Produced by Fire Mountain Productions (Tom and Vicky, Captain Mack), the series was created by The Dewhurst Family; set in the fictional Northern English village of Sabden, it focuses on the adventures of the madcap villagers and their famous treacle mines as they struggle through a treacle shortage, crazed "Boggarts", even crazier Moobarks and...well...each other.

The show was, and still is, immensely popular to fans alike. Next to the odd-ball stop-motion designs, the writing from Brian and Jonathan had humour that worked superbly on both levels - for kids AND adults to enjoy without being too childish nor too close to the bone. It ran for two seasons between 1995 - 1996, plus the BAFTA award-winning Christmas Special, and has since had respectable runs on CITV, Nick Jr and currently in the wee hours on Channel 4...

But apart from a small DVD release with the first six episode of Season 1, nothing much has come out of it, and it's a great shame. It's this sort of series that kids today could do more with in terms of good ol' children's comedy. Never mind whatever Nickelodeon or the House of Mouse are putting out with their copy/paste "tween" sitcoms. Just clever humour and plenty of slapstick is what's required, I feel, and those who have grown up with Brian Trueman's works would agree with me on that.

Check out a handful of episodes from the Treacle People Playlist below, and then their unofficial mini-site to buy a copy of the DVD currently available. Perhaps one day, we may well see a complete collection - both seasons plus the Christmas special - released at last if the demand is required...only time will tell.


Thursday, 26 January 2012

The Wind in the Willows - Cosgrove Hall


Over the years, Kenneth Grahame's classic story of The Wind in the Willows has been adapted many, many, many times - in Theatre, on Radio, in Animation and live-action. Even a few "sequels", including some by William Horwood, were written in the same familiar style, with one even brought to the small screen.

Really, once Disney pretty much set the ball rolling with their 1949 adaptation, that was it: a timeless classic telling the stories of Mole, Ratty, Badger and pompous Mr. Toad have been told and re-told by just about everybody, British and American alike. Terry Jones, Rankin/Bass, the BBC...and now Ray Griggs is next in line to recreate the stories - not only with a darker view of the book but with hopes that Ricky Gervais would be up voicing Mole...


Oh. Joy. How. can. I. con-tain. my. ex-cite-ment. < / sarcasm>


Honestly, of all the adaptations I've seen so far in this life, sequels and prequels included, while they may each have their own appealing charm, none of them - and I mean none of them - can compare with Cosgrove Hall's vision...which is, by and far, the strongest of the lot.
Next to a memorable cast consisting of David Jason, Richard Pearson, Peter Sallis, Ian Carmichael, and Sir Michael Hordern among others, it also boasted of some of the studio's most beautiful stop-motion animation in its history.

Cosgrove Hall (of Danger Mouse and Count Duckula fame) first adapted the book as a film in 1983, which was met with outstanding ovation for its tranquil theme, beautiful soundtrack and their own personal touches to the original text. As soon as they had bagged a BAFTA award and an international Emmy award, the studio then created the TV Series.

And unlike some Movie-to-TV creations these days, this was just as faithful to Grahame's style and characters as William Horwood's own work, right down to the introductions to each episode describing the changing of the seasons.

Picking up where the film left off, the first series (with Rosemary Anne Sisson co-writing) also made use of the three sole chapters that were omitted from the film - The Further Adventures of Toad, Wayfarers All and The Piper at the Gates of Dawn. And with Brian Trueman handing the writing from Series 2 onwards, it ran for Five Seasons, ranking up 52 episodes between 1983 - 1990, and was granted another TV Special, A Tale of Two Toads.


The writing especially is firmly on par with the animation and voice acting. The continuity Brian Trueman and Rosemary built up throughout is outstanding, with new characters like Auberon, Mole's Cousin, making their mark in the series, and constant references from previous episodes that also come into play for future ones to follow - often as the Chekhov's Gun for a particular storyline or three.

In fact, the storyline of Series 4 throughout, which sees the Riverbankers and Wild Wooders in threat of a foreboding railway company, is exactly the sort of thing that grabs the viewer's attention and urges them to "stay tuned for the next episode". It makes such shows far more interesting to watch, with the sort of careful script writing that makes you believe that these characters, though set in the 1900's, were actually real. The believability in their personalities and the adventures they've had has, for this series at least, much more appeal and curiosity than stand-alone episodes that have little to no connection with the original books they were "based" from...or in some cases, their own continuity created by some TV Executive.

 
The series also showed a great many sides with Brian in the writer's chair: Plentiful comedy from Toad's stupidity and general wordplay, sentimentality without being too soppy, and at times drama, before the Soccer Moms loomed their interfering heads. Drama really made this series stand out at the time it was made, clearly evident that Cosgrove Hall weren't afraid to push the envelope now and again - which has seen the Chief Weasel caught in a hunter's trap, the Wild Wood and Toad Hall set fire respectively and poor Mole suffering from mushroom poisoning.

However, comedy has always been a major part of the show's charm, in relation to the original book, which has seen Toad play out a number of lead episodes as he goes from one craze to another. In fact, the entire Fifth and last Season, "Oh, Mr. Toad!" became a spin-off focusing on Toad's antics, even though it still maintained the strong continuity from the previous seasons. Despite this, the original opening titles were replaced with the classic theme tune in later broadcasts (and DVD releases) to avoid possible confusion.


In short, if anyone asks what's my favourite version of The Wind in the Willows, there can only be one clear winner as I look now to the complete DVD box set sitting proudly on my shelf above me. And I never tire of rewatching the same episodes over and over, knowing full well that we may never see the likes of such a series again...at least outside of another Hollywood money-maker pipeline.


Oh, and to finish up - Rik Mayall, Charles Nelson Reilly, Matt Lucas...you all did your best, but David Jason's performance of Toad still gets the biggest laughs from me ;-)


Series 1 Playlist - for viewer's interest!

Saturday, 19 November 2011

When Animation Goes AWOL: Cosgrove Hall

Mark Hall 1936 - 2011
First off, something that I only just found out last night - I regret to inform the death of Mark Hall, who lost his battle with cancer on Friday November 18th. The news really took me off-guard, especially as it seemed he and Brian Cosgrove were ready to provide a host of exciting new animation projects for a fresh young generation, while attracting the interest of the old following the opening of their new studio...

Though I fear of how this may affect Cosgrove Hall Fitzpatrick now, when so early in the game, my deepest sympathies and coincides go out to Mark's family, friends and colleagues in this difficult time. God Bless =(


However, I intend to carry on regardless by showcasing a few other shows that Cosgrove Hall Films were unable to complete before their company folded in 2010:

One of these was their first venture into CGI with a series entitled "Theodore". While little information is given on this particular pitch, Wikipedia states that it was to be set in a Nuclear Organisation called "Radioactive Science and Technology Station" (RSTS). When these may resurface again remains uncertain.
Another series that never passed the pilot stage was The Carrottry Kid, created by Andy Fanton (a comic artist for the recent Dandy Comic). The series would have featured the characters as anthropomorphic fruit / vegetable characters, the hero being a karate-chopping young carrot who, with help from his mentor Master Che-Ri, trains to be a true karate fighter in order to stop the evil forces of Count Cornelius Cob.
Unfortunately, due to ITV's absorbing of Cosgrove Hall, the series never really flourished. However, over the years it has found new life as a web comic, with the original pilot still available to view online:


To say that Mark passed away aged just 75 years old says a great deal for his legacy in the British Animation media. The talents he urged, the skills he shared and developed, the hands-on approach with every member of every series that he and long-time colleague Brian Cosgrove helped to create should be an example to us all - even in today's cynical media, half the shows in the world that are created are not as glorious as Danger Mouse, Count Duckula, the Wind in the Willows, Victor and Hugo and many, many, many more...

In fact, I received a second surprise the following morning when I was contacted by one Roger Stennett, who was a writer on several CHF shows, including Fantomcat, Avenger Penguins and Sooty's Amazing Adventures. He was "particularly pleased that I enjoyed the work of Cosgrove Hall Films so much", going by what I've posted about in the past, and went on to say:


"Both he (Brian Cosgrove) and Mark were such gently powerful influences at Cosgrove Hall Films, and whenever I think of my time working with them both, it always makes me smile.

Over my 20 years + of writing Animation, they were indeed 'the best of times' "


In short, Mr. Hall truly did leave his Mark.
Thank you, Sir. From all of us.

Wednesday, 19 October 2011

They're the Baddies! Victor and Hugo...

Of all the shows Cosgrove Hall had produced over the years, it comes as a surprise when only a handful are still remembered to this day (thanks to DVD releases). Danger Mouse, Jamie & the Magic Torch, the Wind in the Willows, and even Terry Pratchet's Truckers.

But then there are shows from CH that somehow fall by the wayside, either by lack of interest from the public or lack of advertising from the TV Boffins - shows like Creepy Crawlies, Fantomcat, Albie and even Vampires, Pirates and Aliens. Anyone seen a (British) DVD featuring this lot?

But the most semi-obscure show from CH has to be these guys:


Victor and Hugo: Bunglers in Crime was another of Cosgrove Hall's wonderfully odd-ball shows, featuring two French criminal brothers always hatching "a meticulous plan" to steal valuable items - but hardly ever succeed due to their constant bumbling.

But there is more to this series than one would think:

  - The series combines the writing / voice-acting talents of Brian Trueman, Jimmy Hibbert and David Jason alone (with others such as Edward Kelsey popping up time to time). This would be the last time that Brian and David would provide their voices for a Cosgrove Hall series, as well as being the company's cel-painted show before going from Cosgrove Hall Productions to Cosgrove Hall Films.

 - David Jason's voice for Hugo (the short "brain of a brussel sprout") is based from that of Bluebottle from the famous radio programme The Goon Show! To add to that, often Hugo is constantly pestering Victor with the phrase "What is it that it is...?", another Bluebottle trademark ;-)

 - Often in animated shows starring anthropomorphic animals, everyone bar themselves is human. Whereas in THIS cartoon, it's vice-versa - the brothers themselves the only human characters!

But that's not all...

A crossover well deserving - drawn by Andrew Morrice!
 - Victor and Hugo weren't always Victor and Hugo to begin with. Originally, they started out as Gaston and Pierre from Count Duckula before being redeveloped slightly as humans. And as a result, with thanks to Brian and Jimmy's hilarious scripting, other characters from Danger Mouse and Count Duckula cross-over into V&H either in reference or as supporting characters!!

So with all the perfect chemicals for a winning show, what has happened to the "Bunglers in Crime"?


Well, the sad fact was that V&H were unfortunately created at the time when Children's ITV was undergoing an anti-cartoon phase in 1991-1992, causing Thames TV to lose their franchise. So according to various sources, the episodes were never shown more than once - at least for British airwaves. Last I heard, they seemed to have gained new life Down Under in Aus...

And apart from one episode on a Cosgrove Hall-themed DVD, the rest of the two seasons that were made are only available on lesser-spotted VHS cassettes and books (both hardback and audio!!).

However, for those who do remember, let us hope that one day we shall see all of Victor and Hugo's bungles on DVD, in this day and age where even the most obscure of shows have managed to find new life for today's generation as such...and pray even harder that we Brits will get it first and not Australia...!! =P


For now, though, here's a handful of eppies to watch by - now updated with a fancy new Playlist!



LINKS OF INTEREST:

Monday, 17 October 2011

From the Ashes...

...rises the Phoenix!

This isn't technically "new" to report, but for those of you who have been out of the loop, I'll give a brief update:

Back in February earlier this year, I gave a sombre yet loyal salute following the closure of Cosgrove Hall Films - a huge loss for British animation.

But then came a huge surprise to us Brits when, in August 2011, Brian Cosgrove and Mark Hall came out of retirement to reopen their new studios in Stockport, Cheshire, alongside new partner, co-funder and Jakers! creator Francis Fitzpatrick.


....thus, Cosgrove Hall Fitzpatrick was born, and already they have two new shows in the pipelines, Pip and The Hero Gliffix, both which look and sound quite promising.

Personally, though, while I am over the moon to see Brian and Mark back in the animation field, I rather wish they'd go back to their glory days and start creating "wacky" shows again - the sort that made legends of Danger Mouse, Count Duckula and even Foxbusters. There are plenty of shows in the pre-school market being offered by other studios - so let's hope CHF start producing more of the fun stuff again for us abnormal, mad fans.

...although the less said about Eddie Retractorhead, the better....blechh >(